LITTLE WING (she is my little wing)
by JIMI HENDRIX
Well shes walking through the clouds
With a circus mind thats running round
Butterflies and zebras
And moonbeams and fairy tales
Thats all she ever thinks about
Riding with the wind.
When Im sad, she comes to me
With a thousand smiles, she gives to me free
Its alright she says its alright
Take anything you want from me, anything
Anything.
Fly on little wing,
Yeah yeah, yeah, little wing
LOVE U MUM
Thursday, 14 May 2009
Sunday, 3 May 2009
My Precious
taken @ tony romas ... tapi kalau bapak aku... asik2 pronounce tony lomas... belasah je la bah...
time ni paling best.. kiteorg makan... murah gile bill... padahal order byk gile... 5 org punye makan bayar 120 je....
sbb dlm air abah aku ade lipas... mmg silap la... da la abah aku ni jenis panas baran.... terkucil manager tu kene maki... tu yg dapat discount... hahha caya lah abah... lu mmg rock..
anyway love you and miss you guys so much....(
time ni paling best.. kiteorg makan... murah gile bill... padahal order byk gile... 5 org punye makan bayar 120 je....
sbb dlm air abah aku ade lipas... mmg silap la... da la abah aku ni jenis panas baran.... terkucil manager tu kene maki... tu yg dapat discount... hahha caya lah abah... lu mmg rock..
anyway love you and miss you guys so much....(
WINTER EUROTRIP
Vasan who took this picture..
taken mase winter trip ... kali ni kiteorg ber5 gerak dari london to paris dgn..
gile sejuk harem la malam tu.... semue pakai jaket nipis...biar sejuk janji bergaye harem ... terutame eddy yg pakai kasut converse nipis tu... hahah nasib kaki ko tak frostbite...
yg best nye.. dari london ni.... utk lintas pegi france kene naik feri... this is the best part la...
dlm feri tu pon best.. warm je.. at least merase jugak la naik feri dari uk to france...
mmg wajib try....
tatau nak cite camne nye best...
try ah!
Mitch Mitchell - remembering THE DRUM HERO
As I lay down to go to sleep on the night for some reason I found my thoughts turning to my first real drum hero and one of my musical life's biggest influences, Mitch Mitchell. As I lay there, I began a mental survey of his work, from the early recordings with the Jimi Hendrix Experience through Hendrix's last official album recorded what seemed like a long time later but which was in fact only a few years later, The Cry of Love. My concentrated overview, pondering Mitch's trademark early style--prodigious technique, distinctive touch, beautiful sound, swinging feel, fire, crisp articulation, and strong musical contributions to Hendrix's visionary musical innovations--and later work--more slack, somewhat more tired feel, more slack tuning, yet still strongly contributory and irreplaceably integral to the music that Hendrix was then making--triggered indelible memories, powerful associations, deep appreciation, and pure awe. It also caused me to wonder if he still played. I knew he endorsed DW drums, but I had no idea what he was doing. I wondered what he might sound like now, so many years later. I considered his distinction as the only surviving member of the original Jimi Hendrix Experience. I also wondered why on earth I was spending so much time lying there engaged in such a thorough analysis of Mitch Mitchell's music making and its overwhelming influence on my own life and music as a drummer. Then I fell asleep, forgetting all about it.
Mitch was my favorite drummer when I was a kid, and his busy, jazz-drenched rock style led to my enthusiasm for drummers charting similar territory who came shortly thereafter: Clive Bunker with Jethro Tull and Michael Giles in the first King Crimson band. Later in my life I realized how this foundation helped lead me straight into the world of jazz drumming that would become my area of endeavor once I was about16 years old (and after Hendrix died). Mitch Mitchell not only set me up for my next major, life-altering drumming encounter to follow, which was my hearing Tony Williams for the first time, but he made my appreciation for every major influence to come possible, from Elvin Jones to Jack De Johnette to Roy Haynes to Sonship Theus to Tony Oxley to Pierre Favre and so on down the line. While my earliest drumming experiences were that of playing Charlie Watts parts to old Rolling Stones records at my friend (and young drum prodigy) Pat Pile's house, it was Mitch who opened my ears and mind to what drumming could be in the hands of a more complex and flashy master. Mitch and the Hendrix Experience totally changed my life.
Subscribe to:
Posts (Atom)